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Back in 2017, this obsession with all things fatal lead to âBloodâ, a massively morbid, darkly throbbing indulgence uniting the best of apocalyptic post punk and foggy goth rock. A deadly, strangely intoxicating cocktail, released by global player Nuclear Blast. âAll that was remarkableâ, founder Alex Svenson recalls. âWhen we signed with them we suddenly got a lot more to do as a band. You think it's going to be less complicated with a bigger label, but it's not.â In other words: The career boost came at a price. Then Comes Silence evaluated their situation carefully, lost some members, gained two remarkable additions to their ranks, namely Mattias Ruejas Jonson and a gentleman aptly called Hugo Zombie. Trapped on a one way road, they dissected their own catalog, spawning a full four records since their self-titled debut in 2012, re-assembled their sound, rehearsed their butts off, played live as much as never before. âWe re-booted the bandâ, Alex describes it. âThe new line-up of Then Comes Silence took the shape of a rock band, more than ever before.â
Their huge new album âMachineâ is a reflection of that: More rock, more death, more unhealthy obsessions with all things dark and sinister. âI wanted to take a different turn away from the path and not make just another âBloodâ.â Alex took the matter gravely serious and even helmed it as producer. âIn 2016 we sprinkled the recordings with cash and had no idea how to calculate the costâ, he honestly recalls. âWe had a generous budget for a small band and no experience how to use it. We believed we could lean back and take the ride. The hangover came later.â
âMachineâ was a very painful album to write, in many ways a return to their humble beginnings as a Swedish underground phenomenon. The gripping beats, the eerily cold melodies, the wintry guitars and those ghostly hooks prove it was all worth it â even the âlost albumâ written by Alex before even starting on âMachineâ. It all lead to this point. It all lead to seductive, gloomy anthems like âWe Lose The Nightâ, âDark Endâ or âKill Itâ. Mixed by legend Stefan Glaumann (Rammstein, Deathstars, Killing Joke), Then Comes Silence come full circle and finally sound like they ever wanted to â âlike ice cold water running through a pipe of stainless steel on a November morning.â Hearts will be melted. Blood will freeze.
Jointly waving the flags of post-punk and goth, Alex regards Then Comes Silence as a rockânâroll band for the darker side of things. âThere will not be any new Bowies, McCartneys, Ramones or Lemmys for a long time. Not in this contemporary pop cultural world we are working inâ, he says. âWe have to be the Rhinemaidens guarding the Rheingold. Become the guardians of the holy grail until the day the new rock prophets are born.â
The grim reaper would approve. Totally. After âBloodâ, predominantly written to cope with the death of Alexâs father, the end of all things comes in an altogether new, fiendishly alluring shape. âThereâs absolutely no meaning in rebelling against deathâ, he shrugs. âEven though death is bringing grief and pain to the ones left behind, we have to accept the fact itâs everyoneâs final destination. Itsâ supposed to be that way. Deal with it. Weâre all going there.â Once you start dealing with it, Alex is pretty sure, it will reflect positively on life in general. âIf we talk about death, sing about death and think about death regularly we might feel better and appreciate everything around us more. Maybe we could reach a higher quality inside. I think about death everyday and that makes me a nicer person Iâm sure.â Death, the ultimate muse.
Track List01. We Lose The Night
03. Dark End
04. I Gave You Everything
06. Apocalypse Flare
08. In Your Name
10. Kill It
11. Cuts Inside